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Descrição arquivística
Jolly Negro Bank #3
Meek-Eaton Archival Collection AR_0012-Series 03-_03_0003 · 1900 - 1999
Parte de James N. Eaton, Sr. Collection

Location: Jim Crow Exhibition Hall

The vintage red and white Jolly Negro bank features a cheerful caricature of a Black man, reflecting the racial stereotypes common in early 20th-century American culture. This coin bank, characterized by its bright colors and playful design, embodies the problematic portrayals of African Americans during that time

Jolly Negro Bank #1
AR_0012-Series 03-_03_0001 · 1900 - 1999
Parte de James N. Eaton, Sr. Collection

Location: Jim Crow Exhibition Hall

The red and yellow vintage Jolly Negro bank features a caricature of a smiling Black man, embodying the racially insensitive stereotypes prevalent in early 20th-century America. Designed as a coin bank, it reflects the era's problematic representation of African Americans in popular culture.

Jolly Negro Bank #2
AR_0012-Series 03-_03_0002 · 1900 - 1999
Parte de James N. Eaton, Sr. Collection

Location: Jim Crow Exhibition Hall

The vintage black and red Jolly Negro bank depicts a smiling Black figure, exemplifying the racially insensitive stereotypes common in early 20th-century America. This ceramic bank was designed to encourage saving while reflecting a troubling portrayal of African Americans in popular culture.

Colored Only Sign
Meek-Eaton Archival Collection AR_0012-Series 03-_03_0004 · 1900 - 1999
Parte de James N. Eaton, Sr. Collection

Location: Jim Crow Exhibition Hall

A "colored only" sign was a segregation-era sign typically found in the United States during the Jim Crow era, which enforced racial segregation in public places. These signs were used to designate areas, facilities, or services that were reserved for people of color.