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Archival description
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The Rosewood Massacre Papers
Meek-Eaton Archival Collection MS_0001 · Collection · 1900 - 1996

Location: AC.6.B.2.4.7-AC.6.B.3.4.4

The Rosewood Massacre was a racially motivated attack on the predominantly African American town of Rosewood, Florida, in January 1923. Sparked by false accusations and fueled by racial tensions under Jim Crow segregation, white mobs destroyed homes, churches, and businesses, forcing residents to flee and permanently abandon the town. For decades, the event remained largely suppressed in public memory until renewed attention in 1982 by journalist Gary Moore prompted survivors and descendants to seek justice. Their efforts led to a state investigation and compensation legislation, marking one of the first instances of reparations for racial violence in the United States.

Archival Description:
The Rosewood Massacre Papers Collection spans 35 boxes with materials dating from 1900 to 1996 and documents the historical, legal, and commemorative efforts surrounding the 1923 massacre. The collection includes narrative reports, multiple versions of documented histories, survivor affidavits, administrative files, correspondence, interview transcripts, handwritten notes, vital records such as birth certificates, census records including the 1920 U.S. Census, property records such as Levy County deed indexes, and materials related to claims verification.

Folders within the collection contain complete narrative reports and reproduced copies used for research, review, and preservation; affidavits from survivors including Bertha Fagin, Ivory T. Fuller, Vera G. Goins Hamilton, Thelma Hawkins, and Dorothy G. Hosey; correspondence from agencies such as the Florida State Department of Health and Rehabilitative Services and Offices of Vital Statistics; as well as administrative communications, genealogical documentation, and evidentiary records supporting compensation claims.

Collectively, these materials document both the historical reconstruction of the Rosewood Massacre and the legal and administrative processes undertaken to verify survivors, establish lineage, and secure restitution.

Meek-Eaton Archival Collection MS_0017 · Collection

Location: AC.3.A.3.5.6

The Reverend Elvis W. Spearman Collection consists of one box of materials documenting the professional and spiritual life of Rev. Elvis W. Spearman. Spearman served as postmaster at Florida A&M University until his retirement in 1964 and also held the role of hospital chaplain from 1955 to 1964. He earned an A.B. degree from Legal College and pursued additional studies at Florida A&M University, the University of Chicago, and Deering Community Center.

The collection primarily contains speeches and sermons delivered by Rev. Spearman, reflecting his work in ministry and his engagement with religious and community life. Most of the materials are undated, though they provide valuable insight into his theological perspectives, public speaking, and role as a spiritual leader.

In addition to sermons, the collection includes a small number of documents related to his administrative duties at Florida A&M University. Collectively, these materials offer a glimpse into Spearman’s dual roles in institutional service and religious leadership, highlighting his contributions to the university and its broader community.

Meek-Eaton Archival Collection MS_0022 · Collection

Location: AC.2.B.2.3.2 - AC.2.B.2.3.5

Reverend Dr. James L. Hudson, Sr. (1904–1980) was a minister, educator, and civil rights leader. Born in Birmingham, Alabama, he graduated from Morehouse College in 1926 and later earned a divinity degree from Colgate-Rochester School of Religion in 1931. He served as a chaplain at Leland College until 1946 before completing doctoral studies at Boston College. Dr. Hudson later joined Florida A&M University as a chaplain and professor, where he founded the Department of Religion and Philosophy and served as its first chair. A close associate of Rev. Charles K. Steele, he played a key role in civil rights efforts, including the 1956 Tallahassee Bus Boycott, and was active in organizations such as the Tallahassee Ministerial Alliance and the Inter-Civic Council.

The Reverend Dr. James Hudson, Sr. Collection documents Hudson’s career in ministry, education, and civil rights activism. The collection contains materials related to his work at Florida A&M University, including records associated with the establishment of the Department of Religion and Philosophy, as well as documents reflecting his role as a chaplain and educator.

Additional materials highlight his involvement in civil rights initiatives in Tallahassee, including his collaboration with local religious and community leaders. The collection may include correspondence, sermons, speeches, and organizational records that illustrate his leadership in religious and civic life. Collectively, these materials provide insight into Hudson’s lasting contributions to higher education, faith leadership, and the advancement of social justice.

Kimberly Brown Collection
Meek-Eaton Archival Collection MS_0026 · Collection

Location: AC.1.B.1.4.8

Dr. Kimberly Brown Pellum is a historian, author, and two-time Florida A&M University alumna, as well as a former “Miss FAMU” pageant queen. She serves as an assistant professor of history at Florida A&M University and is the founding director of MuseumofBlackBeauty.com, a digital public history initiative. Her scholarship focuses on twentieth-century African American women, beauty culture, southern history, and freedom movements. Dr. Pellum has contributed to major public history institutions, including the Smithsonian National Museum of American History, the National Park Service, and the Rosa Parks Museum. She is the author of Black Beauties: African American Pageant Queens in the Segregated South and Queen Like Me: The True Story of Girls Who Changed the World.

The Kimberly Brown Collection consists of one box of materials centered on Queen Like Me: The True Story of Girls Who Changed the World. The collection includes multiple copies of the publication as well as related materials such as children’s worksheets and miscellaneous documents associated with the book.

These materials reflect Dr. Pellum’s work in public history and youth education, emphasizing themes of empowerment, representation, and African American girlhood. The collection provides insight into the development and educational use of the publication, highlighting its role in promoting positive identity and historical awareness among young readers.

Meek-Eaton Archival Collection MS_0005 · Collection · 1948 - 2001

Location:AC.1.B.1.4.1 - AC.1.B.1.4.2

The Julian “Cannonball” Adderley Memorial Jazz Collection documents the life, career, and legacy of renowned jazz saxophonist Cannonball Adderley. The collection includes both archival records and museum objects relating to Adderley’s professional achievements, public recognition, and cultural influence.

Materials in the collection consist of awards, photographs, publications, magazines, newspaper articles, sheet music, recordings, correspondence, and exhibit artifacts. Several items relate directly to Adderley’s connection with Florida A&M University, including his academic degree and alumni publications. Additional materials document his musical career, honors, memorial recognitions, and media coverage following his illness and death.

The collection also contains museum exhibit items, including plaques, medals, framed artwork, photographs, and audio recordings associated with Adderley and his brother Nat Adderley. Printed sources such as magazines and newspapers highlight his role in jazz history and the broader cultural recognition of his contributions to American music. The collection is arranged by subject and material type. Printed materials and memorabilia were first sorted by format, then organized alphabetically and placed in acid-free folders and boxes for long-term preservation.

Meek-Eaton Archival Collection MS_0009 · Collection

Location: AC.8.B.1.1.1-AC.8.B.1.1.3

Joseph “Joe” Lang Kershaw, Sr. (June 27, 1911–November 7, 1999) was the first African American elected to the Florida Legislature since Reconstruction. Born in Live Oak, Florida, he attended Florida A&M University in the 1930s, where he was involved in early campus life, including the beginnings of the football program, and pledged Kappa Alpha Psi. He later worked as a teacher in Miami-Dade County and as a janitor in the Florida Legislature before entering politics. Elected to the Florida House of Representatives in 1968, Kershaw served for fourteen years and chaired the Elections Committee, contributing to the establishment of the Florida Human Rights Commission.

The Joseph Lang Kershaw, Sr. Collection documents Kershaw’s life, career, and contributions to Florida’s political and educational history. The collection contains materials related to his personal and academic background, as well as records reflecting his tenure in the Florida House of Representatives.

Included are documents that highlight his legislative work, professional activities, and community involvement. The collection also contains materials pertaining to his family, including references to his father, A. J. Kershaw, as well as correspondence and documents related to colleagues and contemporaries such as Gwendolyn Cherry and Althea Gibson. Collectively, these records provide insight into Kershaw’s role as a pioneering African American legislator and his broader impact on civil rights and public service in Florida.

Joe Nash Collection
Meek-Eaton Archival Collection MS_0019 · Collection

Location: AC.8.B.4.4.1 - AC.8.B.4.7.1

The Joe Nash Collection documents a range of cultural, social, and media-related materials reflecting aspects of public life and community engagement. The collection includes advertisements, books, magazines, news clippings, newsletters, photographs, programs, and other publications such as theatrical playbills and posters.

These materials provide insight into entertainment, communication, and cultural expression across various contexts. The presence of theatrical playbills, programs, and posters highlights performance and artistic activity, while magazines, newsletters, and news clippings capture contemporary events, trends, and public discourse.

Photographs within the collection offer visual documentation that complements the printed materials, enhancing its research value. Collectively, the Joe Nash Collection preserves a diverse array of media formats, serving as a resource for understanding cultural production and the ways information and experiences were shared within communities.

Meek-Eaton Archival Collection AR_0012 · Collection

Location: AC.2.A.1.6.3 - AC.2.A.2.3.1; AC.3.B.3.3.1 - AC.3.B.3.3.2; AC.8.B.1.2.3 - AC.8.B.1.3.2

In 1975, James N. Eaton spearheaded the effort that ultimately gave rise to the creation of FAMU’s Black Archives. By 1976, the ‘Black Archives Research Center and Museum’ came into existence, and Eaton was recognized and appointed as its inaugural archivist, curator, and director.

For the next three decades, he helped amass a collection of memorabilia and printed records that now comprise one of the region’s most extensive collections of first-source material relating to the history, culture and contributions of people of African descent living in the United States.

James Eaton constructed in 1976 the first exhibits, using historical memorabilia from his own family. Afterward, he petitioned the university and community members to contribute historical material to the repository. Ilis call was answered by the first Black Archives donors and volunteers, who included: Donald Hill, Frank Pinder, John F. Matheus, and a host of other individuals and groups. Thus, the Research Center was chartered in 1976 and was officially opened in 1977.

History of FAMU
Meek-Eaton Archival Collection AR_0007 · Collection

Every university has a history, but few have a history as unique and impressive as ours. For more than 130 years, Florida A&M University has served the citizens of the State of Florida and the nation by providing preeminent educational programs...programs that were the building blocks of a legacy of academic excellence with caring. FAMU, “Florida’s Opportunity University,” is committed to meeting the challenges and needs of future generations.

In 1884, Thomas Van Renssaler Gibbs, a Duval County educator, was elected to the Florida legislature. Although his political career ended abruptly because of the resurgence of segregation, Representative Gibbs successfully orchestrated the passage of House Bill 133 in 1884. This bill established a white normal school in Gainesville and a school for African Americans in Jacksonville. The bill passed, creating both institutions; however, the state decided to relocate the school for African Americans to Tallahassee.

After the bill’s passage, FAMU was founded on October 3, 1887. It began classes with 15 students and two (2) instructors. Thomas DeSaille Tucker (1887-1901), an attorney from Pensacola, was chosen as the first president. Former State Representative Gibbs joined Mr. Tucker as the second faculty member.

In 1891, the College received $7,500 under the Second Morrill Act for agricultural and mechanical arts education. The State Normal College for Colored Students became Florida’s land grant institution for African Americans, and its name was changed to the State Normal and Industrial College for Colored Students.

In 1905, the management of the College was transferred from the Board of Education to the Board of Control. This significant event officially designated the College as an institution of higher education.
In 1909 the name was changed from The State Normal College for Colored Students to Florida Agricultural and Mechanical College for Negroes (FAMC). The following year, with an enrollment of 317 students, the college awarded its first degrees.

President Nathan B. Young (1901-1923) directed the growth of the College to a four-year degree-granting institution, despite limited resources, offering the Bachelor of Science degree in education, science, home economics, agriculture, and mechanical arts.

Under the administration of John Robert Edward Lee Sr. (1924-1944), the College acquired much of the physical and academic image it has today. More faculty were hired, courses were upgraded, and accreditation was received from several state agencies. By the end of Lee’s term, FAMC had 812 students and 122 staff members.

In 1949, under William H. Gray Jr. (1944-1949), expansion and reorganization continued. The College obtained an Army ROTC unit, and student enrollment grew to more than 2,000.

Harper's Magazine Collection
Meek-Eaton Archival Collection MS_0113 · Collection · 1876 - 1965

Location: AC.6.B.1.2.1

The Harper’s Magazine Collection consists of one box of materials spanning the years 1876 to 1965, documenting a significant portion of one of America’s oldest and most influential general-interest monthly publications. Founded in 1850 by the New York publishing firm Harper & Brothers, Harper’s Magazine quickly gained national prominence, with its early issues achieving widespread circulation and establishing the publication as a leading forum for intellectual and cultural discourse.

This collection reflects the magazine’s longstanding commitment to exploring the issues that shape American society through long-form journalism, essays, fiction, and critical commentary. Emphasizing fine writing and original thought, Harper’s Magazine has historically provided readers with insightful perspectives on politics, social conditions, the environment, and cultural life. The materials within this collection illustrate the breadth of topics addressed in the magazine and its role in fostering national conversation across generations.

The collection includes a selection of issues and related materials that highlight contributions from both emerging writers and prominent literary figures. Known for publishing influential voices in American letters, the magazine has featured authors such as Annie Dillard, Barbara Ehrenreich, Jonathan Franzen, Mary Gaitskill, David Foster Wallace, and Tom Wolfe.

Collectively, this collection offers valuable insight into the evolution of American journalism, literary expression, and public discourse from the late nineteenth century through the mid-twentieth century.